As I mentioned earlier today in my most recent post, I have a new interview for you with the band, An Atlas to Follow. I adore this band and now even more so after I had the pleasure of hearing more about their journey and their music. They are a folk band that has such heartfelt music with beautiful melodies. I’m not even going to bother to keep talking…just check out my interview with them below. :)
UG: Who are your band members (please include any instruments and vocals)?
An Atlas to Follow (AATF):
Thomas Smith – Lead singer, guitar, mandolin, banjo, violin
Zac Smith – BGV’s, percussion, cello
Amanda Kinney – BGV’s, guitar, mandolin, banjo, ukulele
Josh Jones – BGV’s, bass, percussion
UG: When did you form your band and what inspired you make music together?
AATF: The guys started playing back in 2009 after I (Thomas) met Josh in college under the name Suite C. Zac (my brother) and I had done a few things off and on together before then but once we added Josh we began a more full band approach to the music.
Amanda joined us in the fall of 2010. Amanda and I met in the fall of 2009 at a study abroad music program called the Contemporary Music Center. While at the program, we played in each other’s “bands” for the semester and sang BGV’s (background vocals) for each other.
UG: What musicians inspire you?
Ben Gibbard (of Death Cab for Cutie)
Gregory Alan Isakov
Preston Lovinggood (of Wild Sweet Orange)
The Avett Brothers
UG: Is your new EP your first production album together? What is your EP about?
AATF: “Golden Sun” is our first project as a four piece under the name, An Atlas to Follow. We released an ep in 2010 when we were Suite C called “Do you believe me now?”
“Golden Sun” has a lot to do with unrequited love, or rather, unrequited feelings, with the two bright spots on the EP being Call this Home and the title track.
Louisiana was born from the frustration of still carrying around the weight of regrets and remorse from a failed relationship. Really it wasn’t a relationship at all; I was just very emotionally involved. The song does it’s best to say without saying that I was tired. Tired of having her in the back of my head every other day. Tired of not being able to move forward due to the delusional hope that something where I was might change for the better.
Be Kind to Boston, If Only You Knew and Too Late to Say I Love You all come from the same situation where I had some very strong feelings toward a certain someone but knew that they weren’t shared. If you listen to them in the order listed earlier you can see the thematic arc of the “situation”: from hope to desire to desperation to loss. It all worked out in the end though, she changed her mind… and that album is in the works :)
Golden Sun and Call this home were written as more from a hopeful perspective rather than a reflective one. I wrote these while not in a relationship, making an attempt to express some of what my hopes and desires were. In a way, I guess they kind of lent themselves to the line in Louisiana that says “I’ll keep writing love songs just to feel like I’m in love”
UG: How would you describe your music to others?
AATF: Within the subgenres of folk we’ve had quite a time trying to pinpoint exactly where we lie, but most often we’ll stick with singer/songwriter, indie folk, modern folk.
UG: Do you prefer cupcakes or cookies? =)
AATF: Cupcakes ;)
Huge thanks to An Atlas to Follow for this awesome insight on their band and music. It’s such a beautiful record and I absolutely love the descriptions Thomas gave me of the songs.
Check out some of my favorite tracks from their EP, “Golden Sun” – I hope you all enjoy!